Song: Lissie – Pursuit of Happiness (Kid Cudi Cover)

Power song, power chords, powerful voice.  Pretty neat summary of Lissie’s cover of Kid Cudi’s song Pursuit Of Happiness.  Never heard of Lissie before, I don’t even know if it’s just the name of the lead vocalist or the name of the band.  I don’t really care – although I am dreadfully curious – but the song is great.  Thanks to Hype Machine for pointing me in the direction of the song and thank you to The Digital Outhouse for posting it.  Check out their website for the video of the performance.

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The Roots – How I Got Over

As I wrote yesterday The Roots have released their new album today, How I Got Over. I’m not an old fan of The Roots: the first album I heard of theirs was The Tipping Point, which I liked but didn’t get much replay from me. Over the years I’ve heard more of their music and gotten to know who they are as a band. Especially with their latest stint as Jimmy Fallon’s band.

After listening to How I Got Over I found myself liking it about the same as their last albums. As I said before, I’m not a huge Roots fan but this album is fairly solid. The highlight is without a doubt the track that shares the album’s name, How I Got Over. With a drum beat running at a nice clip, a mellow piano played over, and accompanied by strong vocals during the chorus, it stands out as immediately catchy and deserving of repeat listens.

However there’s other tracks on the album that do the same. Most of the tracks feature a strong drum beat, solid instrumentals over it, and a strong chorus that more-or-less pulls the song together. Really, I feel as though the album is comprised of songs with strong choruses and verses that go on for longer than anticipated. The chorus’ are undoubtedly catchy, but the adjacent verses come off as bland and repetitious.

I’m impressed The Roots were able to put together a full LP while moonlighting as the resident band on Jimmy Fallon. For that I give them major kudos. However the album itself I found – while enjoyable and calm – mostly unoriginal and bland. It’s good to put on in the background but I don’t see it ever taking center stage on my stereo.

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Music Video: The Roots – Dear God 2.0

The Roots release their 9th studio album, How I Got Over, tomorrow. To celebrate they have released a music video for their first single Dear God 2.0 as well as performed that same song live on Jimmy Fallon (in addition to being the show’s resident band). I’m impressed they’ve been able to put together an album while working Monday-Thursday’s on Jimmy Fallon. Kudos. Check out both videos on Pitchfork
…Or click through to watch them below.

Sleigh Bells – Treats

Every once in a while a new album comes out that sounds like nothing else. Sometimes these albums break new ground in an ambient and sparse way, with lilts in each song that accentuate the sublime subtleties hidden in each track (e.g. The Field – From Here We Go Sublime). Sometimes these albums break new ground by pitting together instruments and sounds that work in such awesome harmony that it’s a wonder it was never accomplished before (e.g. Arcade Fire – Funeral). And then sometimes these albums roar so ferociously in your ear that at first listen they come off as raw, unfiltered noise that was designed to annoy rather than entertain. Sleigh Bell’s debut album Treats is that such album.

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Official Week of Music – OWoM

This week I am declaring as my Official Week of Music. I haven’t posted an album review or highlighted any good artists in a while and I think it’s time to take some time and do just that. I’ve actually accumulated quite a nice collection of artists and musicians that I am very much itching to write about. I am no longer restricting myself from writing solely of new artists and albums – there are far too many musicians out there that when they enter my realm of music deserve my attention and adulation.

So without further ado, please enjoy Harry Wolff’s Official Week of Music! :)

Toy Story Remix

In case you didn’t know: Toy Story 3 has just been released this weekend. I’m gearing up to watch it for Father’s Day tomorrow and I’m expecting it to be great. I’ve already heard so many great things about it: I’ve read so many reviews that have given it a 10/10. I just hope I don’t set my expectations so impossibly high that all I can expect back is disappointment. In any case, Pogo is back with a remix of Toy Story audio mixed with an ambient background track. Check it out on YouTube.

Music Video: Ok Go – End Love

OK Go have made quite a few famous viral videos over the years. Their previous video featured a large and awe-inspiring Rube Goldberg machine. I didn’t like the tune so much but the video was more than worth a watch.

OK Go is back with a new video. This time around they’re messing with the speed of time. From an article at Discover Magazine:

The fastest we go is 172,800x, compressing 24 hours of real time into a blazing 1/2 second. The slowest is 1/32x speed, stretching a mere 1/2 second of real time into a whopping 16 seconds. This gives us a fastest to slowest ratio of 5.5 million. If you like averages, the average speed up factor of the band dancing is 270x. In total we shot 18 hours of the band dancing and 192 hours of LA skyline timelapse – over a million frames of video – and compressed it all down to 4 minutes and 30 seconds! Oh and don’t forget, it’s one continuous camera shot.

Really impressive and cool video. Gives me some neat ideas of how these time-manipulations could be used elsewhere.

Despite the video being one of OK Go’s finest I am very much in agreement with the song. I’ve never given an OK Go album a listen – most their material I heard from their singles and videos. However their song End Love is deliciously groovy.

Have a watch and a listen.

Music


Music, the conscious arrangement of sound. It’s as old as us. Music is in our bones. It’s in our hearts. Be it rain hitting a gutter or a harp being strummed: music is universal.

Yet there are so many different types of music. No piece exactly like another, each as individual as the snowflake we usually use to describe a person. The myriad possible combinations of arranged sound afford us the luxury that originality will never be exhausted. What joy I take from such truth – from such assurance.

And what of those musical permutations? To each mood a melody can accent and make flush with color. The strike of a piano key when played on a sunny day can create an unnatural brightness that is unabashedly welcome. The repeated striking of piano keys can put a grin on your face so wide that it would hurt if not rested. And what a welcome pain that would be.

Yet these moods and tunes are perfect compliments. Just as peanut butter and jelly is an eternal marriage so too is music and emotion. And to those who object to the union I implore you to inspect the silence you hear and see how its silent harmony warms your blood.

For every human has a song that is played in their heart. Be it a symphony or rustling wind, music will always be with you. It will hold your hand as you longingly gaze into the infinite horizon. It will squeeze tight as you wonder thoughts without answers. And it will keep you warm as the wind chills your arms – the goosebumps remaining a reminder of your peace.

And how can one song fit one mood for one person? Can two share such an experience – despite distance? As one lies on a beach in California one dives into the Mediterranean Sea, each hears the relaxing crash of waves. Their breathing slows and their heartbeat eases, relaxing under the dry sky and listening to its chaotic rhythm.

Must the language of a song be the same as your native tongue? Can an opera created in Italy evoke a similar reaction to its performance in Peru? Without translation the audience gasps and jumps as if they were natural speakers. The eerie transcendence of an opera’s performance is conducted with ease and grace.

Yet from day to day you decide the soundtrack that accompanies you. Not only is it hand-selected and voluntarily observed, it is normal and acceptable for music to be with you on your mundane and extraordinary experiences. And later when you rest at home, you’ll hear the same song that was playing when you got gas for your car and you’ll smell the gasoline in your chair. How amazing are these visceral melodies to evoke such resolute memories.

And so I continue on my way, listening all the while. No day can pass devoid of music, no matter its type. The days the sun beats down I fill with tunes of yellow hue. The days the moon shines persistently I bathe in varieties of blue. And the days that my eyes remain closed I hum to myself, keeping myself warm and content in my head.